Bienvenidos, welcome to Anneseye, my musings & images of life's awakening moments - when you suddenly see things in a different way. These are opportunities for learning, laughing, connection and love. Come take a peek...
Beneath
the thick canopy of late summer foliage I could hear my panting breath,
feel my shoes smacking the pavement, my limbs heavy and stiff as tree
trunks. ‘Never have been a morning person,’ I thought, wishing I could
stop dead in my tracks and walk. The park was virtually empty. I seemed
the only crazy soul out in the mid-August heat in Washington.
But the pain didn’t stop my mind from thinking, planning, ruminating,
running in circles way faster than my legs could go. ‘Could I really
just stop writing Mexico?’
‘Just 21 days,’ said my yoga/journalist friend Marilyn over lunch the
day before. She’d planted a seed – or maybe it was a bomb. She knew I’d
been toiling over my direction. I drew an image in my notebook, me at
the trail head with several paths emanating outward and I was stuck
there, frozen in indecision. Which story to focus on, which way to go?
‘Change things up,’ she suggested. ‘Whatever you’re doing now, drop it and do something else.’
The Mexico book had been weighing on me. ‘I’ve made promises to my backers. But I can't find my rhythm.’
‘Twenty-one days won’t kill you, the world won’t end. But it’s long enough to see where your energy is.’
At
the ranger station, my half-way point, I doubled over to catch some
breath. My energy was low. ‘Usually not this tired at two miles,’ my
comparing mind hissed. I compared myself to myself most harshly.
Resting my hands on my slimy knees, I watched the sweat cascade to the ground.
'Change
it up.' I had listened and broken my routine, hitting the trail in the
morning rather than my more usual and comfortable evening hour. That was
the trouble.
Suddenly a cardinal darted across my vision and
into the brush. I could feel myself smile at the dazzling flash of red
amidst all that green. Suddenly the creek, which had been running
alongside me since the start, was audible, rushing raucously across the
rocks, the thrilling sound of movement, even if relatively sluggish this
late in the season.
Suddenly I was in my body, feeling the rise
and fall of my back with my breath. I stood up, wiped the sweat out of
my eyes, and got a notion.
‘I’m going in,’ I heard myself say. Fifteen years running this same
4-mile Rock Creek course several days a week, and I’d never, ever
stopped to cool my feet. Always going someplace, on my way. An object at
rest tends to stay at rest. Can't have that.
I started my legs back up, plodding across the bridge and u-turning onto
the left bank toward home. ‘Don’t be silly,’ the saner me puffed,
ascending the hill, pebbles crunching beneath my feet. ‘Just keep going,
get home, things to do.’
That was Leo the lion, my rising sign, powerful but oftentimes a stick
in the mud. My Pisces, the fish, by contrast, was more fluid,
spontaneous, even playful.
As I coasted down, hopping horse dung,
my steps lighter now across the bridle path, I found myself eyeing the
creek for an access point: not too sunny or muddy a spot and watch-out
for the poison ivy. The Fish was calling the shots now, drawing me
toward the water. As I inched down the sandy back I could hear Leo (or
was it my Mom) warning me: don’t you get those shoes wet.
I found a foothold on some protruding roots and, bending over,
maintaining my balance, untied and slipped off my sweaty shoes and
socks, one then the other, and perched them on a dry fallen limb.
Stepping in I could feel the cool of the water around my calves, the
soft slime of the river bed on my soles. A tiny gasp of ahhh seeped out
of me as I stood inside the creek feeling its currents pushing against
my skin. It was a whole new perspective, down low, watching the water
flow south toward its destination, over and around boulders, logs,
anything in its way.
I ran my fingers along the surface of the
water, tiny salamanders darting around my toes, and rinsed my legs of
the grit. A lone monarch butterfly fluttered by searching for a place to
light.
Then an image of a phrase appeared across my screen of my quieted mind: ‘We had to unhitch our trailer from his.’
I climbed up the bank, repeating the phase. ‘…unhitch our trailer from Dad’s…if I could only convince Mom.’
Ever
since my mother died two summers ago, images like this from my past had
been popping up, especially when I ran. Moving my body set my mind
free, though sometimes there are things you don’t want to see.
’21 days, it’s not gonna kill you.’
Back
on the bank I found a log to perch upon. I brushed my feet of the icky
dirt and leaves, pulled my socks on, one then the other, then my shoes.
Tugging at the laces, I make a perfect loop around my thumb and for a
brief moment there I was a kid again, what it was like when you felt a
sense of quiet satisfaction over the smallest thing. A soft breeze
wafted through the trees. The cicadas’ song crescendoed and diminuendoed
beneath the canopy.
Hopping off the log, gazing down and my feet, I could feel the solid
ground beneath me. It was time to take-off again, the muse was urging
me. She’d been tugging on my skirt, tapping me on the shoulder, begging
me to pay attention to her for the longest time. Now with this seed in
my pocket, I felt the urgency too.
Descending out of the woods,
feet slipping on the loose rock, I was eager to arrive, to sit on the
front stoop, sweat dripping onto my legal pad, and let the truth come
pouring out.
~~~
After
the night in the family room on Friars, for the first time in my life
standing up to Dad, it was a strange and unjust domino effect that led
the cops back to me, and I was the guilty one. I was the one paying for
the sins of the father. And it was just the beginning.
But I'd
been surprised at how small my father seemed when I squared shoulders to
face him, my fists clenched, ready to fight. ‘Fight me, not her,’ I
yelled, standing taller than my shrimpy five feet. ‘I was the one who
broke the door, I’m the guilty one,’ I set the record straight. And I
watched him lean away from me.
It was just like that bully dog
Cesar who constantly chased me down Wilmette, once up a tree, then
jumped for my dangling legs and bit into my calf.
‘Son of a
bitch.’ Blood was dripping down my leg and my sweaty hold was slipping,
and eventually I had no choice but to drop to the ground and face him.
‘Cesar
go home,’ I screamed and the voice came from a place deep inside me. It
was ferocious. The little mutt backed down, simpering as he crossed
Wilmette with his tail between his legs.
Our father had
terrorized us for long enough. My mom lie whimpering on the floor of the
family room. And for the first time, and for just a fleeting moment, I
saw him for who he was: a weak man who could not, would never change.
And in that moment I knew I was done with him.
We had to unhook
our trailer from his and be free to go down our own road. He was only
weighing the family down, holding us back from our lives, whatever they
were going to be. I could see that so clearly. Why didn’t my mom?
Such precious quiet this morning at Casa Parque – on the outside.
Cool fall air floats through the dining room window, chills my toes.
But
on the inside I sense agitation. Can't get comfortable in my chair –
hard as a rock under my sitting bones. And inside my skin it feels
disorganized.
9:18. I’d planned to be up earlier. Dedicating my
weekends to the writing now. I’m behind on the book, I know, trying to
find my rhythm again after Mom’s passing. Writing is a practice, like
playing the piano. My fingers are out of shape.
I need
inspiration. From a New Yorker article? Flipping through an August
issue, this draws me in: ‘Finding the Words,’ the story of a
contemporary poet’s elegy to his dead son.
9:29. I read the first
page. Maybe it’s telling me: You’re not good enough to write this
Mexico memoir or this newly brewing essay about your mother’s life and
death. Such is the work of Wordsworth or Tennyson or the father, a
celebrated writer named Edward Hirsch.
Never even heard of him. Though further along in the article, a quote of
his speaks to me:
‘Why would I have Skokie in a poem? But you become
resigned. Your job is to write about the life you actually have.’
I
can do that. I do do that. I’m not formally trained nor particularly
sophisticated. But I’m still worthy, because I see inside, feel the
texture, cherish the truth and transcribe for others the universality of
experience. I try.
In a stanza of the poem to his late son, Gabriel, Hirsch writes:
Look closely and you will see
Almost everyone carrying bags
Of cement on their shoulders That’s why it takes courage
To get out of bed in the morning
And climb into the day
So that’s why I read that article. Because I got out of bed this morning.
9:49. Now it’s time to write.
Mom’s sleeping upstairs. I hope it’s deep, rejuvenating sleep. But
how could it be. There’s nothing that could revive that broken body.
It’s already abandoned her. She tells me that at night, in bed, she has
visions of her old, strong self and she, who she is now, reaches out,
yearning to re-inhabit that body. But she cannot reach it. She awakens,
and the bloated belly that encases a cancerous liver is still there, a
nightmare from which she cannot wake-up.
Was it death that
visited me at the foot of my bed that haunted night in Mexico? I dove
out of my sleep and onto the cloaked monster screaming ‘Noooo,’ landing
on the cold cement floor of my Jimenez hovel. Awakened from the
nightmare, I crawled in the dark to my dorm fridge and found a pack of
frozen peas to put between my bruised knees. I made it through a
frightful night and went on to survive and thrive in Mexico.
But
Mom cannot dive. She can hardly sit up. She cannot walk or eat and
barely drinks, thus she cannot even eliminate. Was that the problem in
the first place, pent-up toxins in the bowel? Simply that? Her brain,
heart, lungs are perfect. She can do 20 leg lifts, she showed me
yesterday. And she has lovely toes.
She’s a model of health, proud to have never 'soaked the system,'
the only drugs she’s ever taken a light dosage blood pressure pill and
one for cholestoral. I went to the CVS today to buy her Aleve and a
stool softener. That’s the least ‘Western’ medicine can do for her.
Me,
I’m taking a G&T for the pain. Fresh mowed lawn, brilliant green
carpet laid out before me, sound of the CSX freight train tooting its
horn in the distance, the blessed wind in the trees, brushing my
shoulders. I want to cry for how beautiful this moment is.
And mom’s asleep upstairs.
You
wish you could go through this experience like this: rub your mom’s
neuropathic numb feet with the miracle cream you picked up at the
running race, comb her thin hair, scrub her bathtub and wash her bed
sheets, prepare a smoothie she forces herself to drink, out of the bendy
straw a child drinks from. 'Just two sips, mom, no three, please, for
me?'
You wish you could do this for her: reminisce quietly as BookTV blares,
about the good ole days, that illustrious trip in the station wagon to
Niagara Falls when we kids had just discovered the thrill of spitballs.
'Do you remember the one that landed in your ear!? And you, angry,
promised that was our last trip.'
My coming home with trophies, celebrating childhood triumphs in tennis,
swimming, running. Or the times I stomped up to my room, an ashamed
loser. 'But when it was a win,' Mom reminds me, I’d walk into the house
with a big smile, and she knew right away, the prize hidden behind my
back: 'Which hand?' I’d ask.
I brought one home for her
today: a wood plaque in the shape of the state of Illinois, first
place, 4-mile, Steamboat Classic, Master Female.
'You’re
still winning,' Anne, she chuckles with joy as I perch the plaque on her
dresser, upside, the flat border side of the state down.
She gazes down at my new fast Adidas. 'When my feet get better,' she says, 'I want a pair of those.'
You wish you could get past this together; then you promise yourself you’d REALLY live.
But now is what you’ve got. The luminous summer evening, the sound of a lawn mower, the tinkle of the ice cubes.
Mom’s resting in her bedroom. Should you go wake her up so she can see this?